Georgian Sterling Silver Mustard Pot with Blue Glass Liner
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Georgian III sterling silver oval mustard pot with pierced shell thumbpiece, scroll handle and pierced body, bright cut decoration, blue glass liner and spoon, London 1783, maker William Abdy
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- Bright Cut Decoration - Bright cut decoration is a technique used to decorate silver and other metal objects, such as jewellery and flatware, with intricate and detailed patterns. The technique involves using a small, sharp tool called a graver to carve designs into the surface of the metal. These designs are then polished, creating a bright, reflective surface that contrasts with the surrounding metal. The designs can be simple or complex, and can include geometric shapes, scrolling vines, and other decorative elements. The technique is highly skilled and requires a lot of precision, patience and attention to detail.
Bright cut decoration was widely used in the 18th and 19th centuries, particularly in the silverware and jewellery industries. It was popular in the United States, Great Britain and Europe.
Today, bright cut decoration is still used by some craftsmen and artists, but it is considered a traditional technique and is not as widely used as it was in the past. However, the bright cut decoration on a silver object is still considered a sign of quality and craftsmanship and is highly prized by collectors of antique silver and other metal objects. - Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
- Marrow Spoon - A spoon with a long handle and a narrow scoop shaped bowl, used to scoop and eat marrow from the hollow centre of roasted bones. Some marrow scoops are double ended with a different shaped bowl at each end.
- Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
The styles popular at the time of each reign were:
George I (1714-1727) saw out the last years of the Baroque period.
George II (1727-1760) reigned during the Rococo period.
George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
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