Edwardian display cabinet, two glazed doors with decorative entwining glazing bars, internal glass shelving, mahogany with inlays
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- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
- Edwardian - The Edwardian period of English furniture and decorative arts design is named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. It follows the Victorian period, in turn was followed by the Art Nouveau and Art Deco styles. In Australia, designs of this period are also known as being in the Federation style.
- Astragal / Glazing Bars - An astragal, bead or glazing bar is the term used to describe the wooden strips that divide the glass in a cabinet into sections. However it can also refer to the narrow beading on a multi-door cabinet or bookcase that covers the gap between the doors, when they are closed. The astragal is usually attached to the inner stile of the left-hand door (or the right hand as you look at it).
- Glazing Bars - Thin astragal mouldings, almost always of timber, behind which glass panes in bookcases, china cabinets, kitchen dressers, and so on are fixed. The glass is either puttied in or held by thin beads. Old hand-made glass should show imperfections, such as bubbles and ridges when looked at obliquely against the light, something which is not found in modem factory-made glass. The joints of the glazing bars should always be neatly mitred.
A cheap shortcut is to apply false glazing bars over a single pane of glass, and this indicates either an item of modern manufacture, or a later conversion, where the panelled door of a press or wardrobe has had a glass front fitted, and the article turned into a 'bookcase'.
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