Victorian Pietra Dura Crosses with Floral Motifs (2)

Two pietra dura crosses, both late Victorian with floral motifs,…
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Two pietra dura crosses, both late Victorian with floral motifs, one depicts two doves, set with yellow tone pendant bails, Florentine origin, (A/F) (2)

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  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • A/f, as Inspected - The letters "A/F" or "as inspected" as part of a description is the cataloguer's shorthand for "all faults" or "as found", meaning the item has some type of damage or deficiency, it is of uncertain date or provenance, and/or that the seller takes no responsibility for the completeness of the item or the accuracy of the description.
  • Pietra Dura / Florentine Mosaic - Pietre dura, also known in English as "Florentine mosaic" is a decorative art that originated in Renaissance Italy and involves the creation of intricate, multi-layered inlaid designs using a variety of different coloured stones. The name "pietre dura" is Italian for "hard stones," and refers to the use of hard, durable materials such as marble, agate, jasper, and other semiprecious stones in the creation of the designs.

    The origin of pietre dura can be traced back to ancient Rome, where the technique was used to create intricate inlaid designs for mosaic floors, walls, and other architectural elements. During the Renaissance, the technique was revitalized in Italy and became particularly associated with the city of Florence. The court of the Grand Duke of Tuscany, Cosimo I de' Medici, was a major patron of pietre dura and employed many of the leading artists and craftsmen of the time to create a wide range of objects, from small items like jewelry boxes and vases to large panels and furniture.

    In the 19th century, pietre dura was used to create a wide range of decorative objects, from furniture and decorative panels to small items like jewelry boxes, vases, and picture frames. During this time, the technique was particularly popular in Europe, where it was used to create elaborate pieces of furniture and other decorative objects for the wealthy and aristocratic classes.

    In addition to traditional pietre dura objects like cabinets, tables, and vases, the 19th century saw the development of new forms of pietre dura, such as book covers, cigar boxes, and other small items. This was largely due to the advent of new, more affordable production techniques and materials, which allowed for the creation of pietre dura objects on a larger scale and at a lower cost.

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