Queen Anne Walnut Chairs and Footstool Set

• Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.
  
  First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
• Ball and Claw Feet - Are in the shape of a rounded ball, attached to the underside of the carcase by a wooden shank. Introduced during the late 17th century and found on furniture in the William and Mary and Queen Anne style, are commonly found on cabriole legs in the manner of Thomas Chippendale, and furniture imitating the mid-18th century Rococo style. The leg terminates in a ball held by a carved lion's or bird's claw.
• Claw Feet - Carved or cast in the shape of a lion's claw or the talons of other more fabulous beasts. They may be found on chair and table legs, supporting platform bases, and cabinets in the Classical Revival manner. Claw feet are not uncommon on Australian furniture made throughout the 1850s and 1860s, though, as with all forms of carving, the deeper and richer the claws are carved, the earlier the piece is likely to be.
• Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.
  
  Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.
  
  This type of seat was known as an over-upholstered or over-stuffed seat.
• Pad Foot - In furniture design, a pad foot refers to a type of
  
  furniture foot that is shaped like a flattened ball or pad. It is a common
  
  design element in traditional furniture styles, particularly in English and
  
  American furniture from the 18th and 19th centuries. The pad foot is typically
  
  wider than it is tall, with a broad, flat surface that rests directly on the
  
  floor. It is often carved or turned with decorative details, such as fluting or
  
  ridges, and can be made from a variety of materials, such as wood, metal, or
  
  leather.
  
  
  Pad feet are used to support the legs of various types of
  
  furniture, such as chairs, tables, and cabinets. They are often used in
  
  combination with other types of feet, such as bun feet or bracket feet, to
  
  create a more complex and decorative furniture design. In terms of
  
  functionality, pad feet provide stability and support to furniture pieces, and
  
  can help distribute the weight of the piece evenly across the floor. In terms
  
  of design, they add a classic and traditional look to furniture designs, and
  
  are often used to create a sense of elegance and refinement.

This item has been included into following indexes:

• chairs, singles / pairs / threes, style or period
  • balloon back 106
  • Georgian 219
• chairs, singles / pairs / threes, timber - walnut 705