Meissen Cupid Figure with Rose Staff
click the photo to enlarge
A Meissen figure of cupid holding a rose staff, late 19th century, holding a flower wreathed staff and gesturing with his finger, on a marbled socle, blue crossed swords marks, various pressnummer (L126), height 20.5 cm
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.
In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.
During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.
In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility. - Socle - The short plinth, usually cylindrical, that serves as a pedestal for a sculpture or vase
- Marbling - A descriptive term for a finish applied to plastic, ceramics, glass, plaster or wood to imitate the colours and characteristic markings of various marble types. For moulded items such as the first three above, the marbling is within the item.
Interiors and furniture were marbled from from the early 17th century to the late Victorian period. The craft was practiced by skilled decorators using a combination of brushes and sponges. Some of the finishes achieved were so realistic as to make it difficult to distinguish the marbled surface from the marble surface.
Marbling is also a term applied to a finish for paper as often seen in the front and endpapers of old books. The marbling is achieved by floating the colours on water and then transferring them to paper. However the marbling finish on paper, as with the marbling finish on plastics, with its multitude of colours has little resemblance to naturally occurring marble.
This item has been included into following indexes: