1930s Cut Glass Vase by Clyne Farquharson
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A 1930s Clyne Farquharson cut glass vase, in a stylised leaf and vine pattern, mild baluster form, etched signature to base. Made by John Walsh, circa 1935 in Birmingham. Farquharson's cut-glass designs are among the most striking and original cut-glass designs done in Britain in the 1930s. Some chips to base, height 25 cm.
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- Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.
The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving. - Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Baluster (glass) - An architectural term for a column in a balustrade or staircase.
When used to describe glass, it can either refer to the shape of the stem of a wine glass, being slender above and pear shaped below, or the shape of the whole vessel, usually a vase. In fact the baluster shape is often described as being vase-like.
The description of a vase as being of baluster shape covers a wide variety of shapes that often bear no resemblance to the original architectural form. - Cut Glass - Cut glass is glassware decorated with facets, grooves and depressions of various sizes and shapes, made by cutting into the surface of the glass using a rotating abrasive wheel. The glass is ground so the surface consists of facets, which have a high degree of light refraction, so that the surface sparkles.
The techniques of glass cutting had been known since the 8th century BC, and the practice was revived in Bohemia and Germany in the early part of the 16th century and in England in the 18th century. Cutting became the most common method of decorating glass in the second half of the 18th century and the early 19th century.
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