Jaeger-LeCoultre Reverso Duetto ref Q2665420 A stainless steel,…
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Jaeger-LeCoultre Reverso Duetto ref Q2665420 A stainless steel, 18ct gold and diamond-set wristwatch, circa 2003. Dial one side with silver dial, Arabic numerals, the reverse dial with silver dial and Mother of pearl centre and diamond-set case, all pivoting within the rectangular backplate. Calibre manual winding, fully jewelled. Case 18ct gold rectangular case with reeded ends, stainless steel backplate and lugs. Case number 2111949. Closure brown leather Jaeger-LeCoultre band with stainless steel folding clasp. Dimensions 32 x 20 mm. Signed dials. Accessories Jaeger-LeCoultre presentation box and outer box, Jaeger-LeCoultre warranty dated 8 January 2003, certificate of service dated 23 January 2007, one worn brown leather band with folding clasp stamped Jaeger-LeCoultre, one loose but worn red leather band stamped Jaeger-LeCoultre, one new blue leather band stamped Jaeger-LeCoultre and one new loose folding clasp stamped Jaeger-LeCoultr

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  • Mother-Of-Pearl - Mother-of-pearl, technical name "nacre", is the inner layer of a sea shell. The iridescent colours and strength of this material were widely used in the nineteenth century as an inlay in jewellery, furniture, (especially papier mache furniture) and musical instruments.

    In the early 1900s it was used to make pearl buttons. Mother-of-pearl is a soft material that is easily cut or engraved.

    Nowadays it is a by-product of the oyster, freshwater pearl mussel and abalone industries.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.

    On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.

    The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.

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