A carved Australian blackwood dressing table by Robert Prenzel, circa 1908, the rectangular top with a high back supporting a swinging mirror above a pair of small drawers, a pair of frieze drawers and cupboards flanking a kneehole below, on a plinth base, the back with an Art Nouveau style pediment finely carved with a spray of flowering banksia and surmounted with a figure of a possum, the cupboard doors carved in relief with, respectively, a standing raven and a sugar glider in flight beneath fruiting foliage, the outer sides of the back also carved in relief with foliage, 187 cm high, 137 cm wide, 48.5 cm deep. provenance: part of a suite of bedroom furniture commissioned from Robert Prenzel circa 1908 by Margaret Laidlaw as a gift for her husband, Thomas Haliburton Laidlaw, and installed at 'Kilora', Hamilton, Victoria, Thence by descent in the Laidlaw family, Western District, Victoria, Literature: Terence Lane, Robert Prenzel, 1866-1941: his life and work, National gallery of Victoria, Melbourne, 1994, p. 18 (referring to the suite generally) and relatedly p. 20, fig. 34 (illustrating the wardrobe from the suite - lot 86 in the present auction)
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- Gallery - On furniture, a gallery is a small upright section, frequently pierced and decorated, around the tops of small items of furniture, such as davenports, side tables, and so forth. Galleries are made in brass or bronze,and be fretted, pierced or solid timber. A three-quarter gallery is one that surrounds three of the four sides of a table, desk or other top.
- Kneehole - A recessed section, mainly found on Georgian desks and dressing tables, which does not go through the full depth of the item, and usually terminates in a cupboard at the back.
- Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
- Blackwood - One of the best known and most widely used Australian timbers, blackwood (acacia melanoxylon), is a member of the Acacia (wattle) family and grows in eastern Australia from about Adelaide in South Australia, as far north as Cairns in Queensland.
The largest, straightest and tallest trees come from the wet forest and swamps of north-west Tasmania where it is grown commercially.
Blackwood timber colours range across a wide spectrum, from a very pale honey colour through to a dark chocolate with streaks of red tinge.
The hardwood timber has been commonly used in the production of furniture, flooring, and musical instruments in Australia from the late 19th century. However, the straight grain timber is not the most prized or valuable, that honour falls to blackwood with a wavy, fiddleback pattern, which is used both in the solid and as a veneer. Fiddleback was only used on the finest examples of furniture.
- Pediment - The uppermost section of a tall usually double-heightened piece of cabinet furniture, surmounting the cornice. The pediment can take a variety of forms derived from the architecture of classical antiquity. A broken pediment is of triangular shape, however, the two raised sides do not meet at the apex but are 'broken' the gap between them often ornamented with an urn or finial. Swan-neck pediments are of similar form, although the uprights are gracefully arched, resembling a swan's neck. They are often found, for example, on longcase clocks.
- Plinth - The square or rectangular base of a piece of cabinet furniture, often ornamented with moulding. The plinth may be separate, as in some wardrobes or presses, and act as the support for the carcase. In a false plinth, the moulded boards may be attached directly to the piece. Furniture with a plinth base usually does not have separate feet. The term derives from architecture where it denotes the base of a column or statue.
- Art Nouveau Period - The Art Nouveau period was a cultural movement that emerged in the late 19th century, and was characterized by its emphasis on natural forms, flowing lines, and a decorative, ornamental style. Art Nouveau was a reaction against the ornate and heavily stylized designs of the previous era, and sought to create a new, more organic aesthetic.
Art Nouveau was characterized by its use of sinuous, curving lines, as well as a focus on natural elements such as flowers, vines, and other organic shapes. Art Nouveau designers sought to create a total work of art, in which every element of a building or object was designed to be harmonious with the overall design.
Some of the most iconic examples of Art Nouveau design include the Paris Metro entrances designed by Hector Guimard, the works of the artist Alphonse Mucha, and the architecture of Victor Horta in Brussels.
The Art Nouveau period was at its peak between 1890 and 1910, but began to decline in popularity by the start of World War I. However, Art Nouveau remains an important influence on design and art to this day, and continues to be celebrated for its emphasis on natural forms and decorative style.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
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