George II sterling silver sauce ladle, hallmarked London, 1744,…
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George II sterling silver sauce ladle, hallmarked London, 1744, mark of Paul de Lamerie, in Onslow pattern with additional cast fruit and lion mask to handle terminal, the circular bowl engraved on reverse with dual armorial crests, one with motto reading 'Loyal Au Mort', total weight 88gm, length 18.5 cm note: for similar examples sold, see Christie's New York, 26/10/07, lot 145 and Sotheby's New York, 08/12/11, lot 77.

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  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • George Ii - George II (1683 - 1760) was King of Great Britain and Ireland from 1727 until his death in 1760.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Onslow Pattern - The Onslow pattern is a design commonly found in silver and silver plated flatware. It is a highly decorative pattern that features a shell motif on the handle, which is often accompanied by scrolls, flowers, and other ornate designs. The Onslow pattern was first introduced in the mid-18th century and has remained a popular choice for flatware enthusiasts throughout the years. The design is named after Arthur Onslow, who served as the Speaker of the House of Commons in England from 1728 to 1761. It is said that Onslow was a great lover of fine silver and that the Onslow pattern was created in his honour.
  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Armorial / Armourial - Bearing a coat of arms. Coats of arms came into general use by feudal lords and knights in in the 12th century, and by the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the higher social classes of Europe. They were inherited from one generation to the next. When a family crest is used on individual items of silver or furniture it is an indicator of the aristocratic standing of the family represented.

    Armorials were also used to decorate mass produced ceramic souvenir ware by such companies as Goss, Carlton & Shelley, and in these cases the coats of arms displayed were of boroughs and cities.
  • Lion Mask - The lion mask has been used for centuries in various forms of art and design, including furniture, silver, and ceramics, and is usually y depicted as a stylized representation of the face of a lion, often with an open mouth and protruding tongue. and is often used as a handle, knob, or other decorative element.

    In furniture design, lion masks were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as decorative elements on the legs or arms of chairs, as well as on cabinet and drawer pulls. It was also used as a handle, knob, or other decorative element.

    In silverware design, lion masks were often applied to tea and coffee pots, as well as on candlesticks, snuff boxes, and other small silver items. The lion mask was often used in combination with other neoclassical motifs, such as laurel wreaths or acanthus leaves, to create a sense of grandeur and classical elegance.

    In ceramics, lion masks were often depicted in relief, and were sometimes used in combination with other decorative elements, such as garlands or swags.

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