Masons Ironstone jug & early 20th century studio Pottery vase,…
click the photo to enlarge
Masons ironstone jug & early 20th century studio Pottery vase, jug of traditional form, hand coloured transfer decoration with New Zealand importers stamp, vase restored

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ironstone China - Credit for the invention of ironstone china is generally accorded to Charles Mason in 1813. Charles Mason was one of the two sons of Miles Mason who founded the Mason works in 1802, and ran the business with his brother George Mason.

    Ironstone was a heavy hard earthenware which was slightly translucent, its strength supposedly coming from a very small quantity of iron slag added to the mixture. The additional strength enabled the company to make larger objects that were not susceptible to breakage.

    The company manufactured dinner wares, toilet sets, tureens, jugs and so on, and the most popular patterns were blue and white, floral and Oriental Imari style colours.

    The trade name "Patent Ironstone China" was registered by the company in 1813, but the patent was only valid for 14 years and was not renewed, enabling other potteries to use the word "ironstone" in describing their wares.

    Mason wares are generally well marked with "Mason's Patent Ironstone China" .
  • Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.

This item has been included into following indexes: