Jugendstil Black Japanned Desk with Burgundy Leather Inset
click the photo to enlarge
Desk in the manner of Jugendstil, black japanned desk, Burgundy leather inset with gilded detail and brass hardware. Austria, c 1910, 78 cm high, 155.5 cm wide, 86 cm deep.
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Hardware - A general term applied to the metal fittings on an item of furniture, such as locks, hinges and handles. Whilst most furniture will usually have brass hardware as it does not rust, some earlier rustic objects such as coffers sometimes have iron hardware.
- Jugendstil - The German and Austrian version of the Art Nouveau style and the other related styles that were expanding everywhere in Europe in the early 20th century.
The name was derived from the title of the Munich cultural magazine, "Die Jugend", with the addition of "Stil", which translates as "youth style".
Jugendstil encompasses all forms of architecture and art: industrial facilities, elevated-train systems, villas, churches, as well as the interior design of bars and coffee houses
In Austria, Jugendstil developed also in various ways, mainly under the effect of the Viennese Secession and of the Wiener Werkstätte. - Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today. - Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
- Japanning - Japanning is the early eighteenth century technique used by European craftsmen to imitate the oriental style lacquer work that became popular in England, France, the Netherlands, and Spain in the 17th century.
The lacquer used was based on the lac beetle dissolved in alcohol (as used in French polish) and differed from the Chinese lacquer which was based on tree sap.
Each layer of the lacquer was allowed to dry and then sanded down. It was applied over cream, yellow, green, red, or black grounds. Japanning using gold leaf was also widely used with lacquer work. The technique can be found on bureaux, cabinets, chests, longcase clocks, and chairs.
This item has been included into following indexes: