Japanese Bronze Singing Bowl on Red Lacquered Stand

• Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.
  
  The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.
  
  Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.
  
  The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.
  
  In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.
  
  In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.
  
  In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.
  
  In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology
  
  

• Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
  
  The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
  
  It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
• Hammered - A hammered finish on metal wares is achieved by striking the surface of the metal with a hammer to create a series of small, uniform indentations. The indentations can be made in a variety of patterns and depths. The resulting surface texture can vary from a subtle, almost imperceptible texture to a highly textured surface with a strong, pronounced pattern.
  
  The hammered finish adds texture and visual interest to metal objects such as bowls, vases, and other decorative items. It can also be used to add grip or reduce glare on tools, weapons, and other functional metal objects.
  
  A hammered finish can be applied to a range of metals, including copper, brass, silver, and gold.

This item has been included into following indexes:

• Oriental objects - singing bowls 18
• oriental objects - bronze, other objects 2,593
• religious objects, oriental - bronze singing bowls, Japanese, Burmes and Tibetan 18