A Sheraton Revival heart shaped satinwood bijouterie table, late 19th century, decorated with floral and garland painted decorations and lined with sage green damask and silk, raised on three tapering legs united by curved stretchers, 73 cm high, 49 cm deep
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- Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.
Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.
In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.
On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.
Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
- Damask - Damask is a type of fabric that is characterized by its glossy finish, smooth texture, and intricate designs. The fabric is typically made from a combination of silk and other natural fibers, such as cotton or linen, and is often used to make clothing, upholstery, and other decorative items.
The origins of damask fabric can be traced back to ancient Rome and the Byzantine Empire, where it was used to make clothing and other textiles.
The fabric is made by weaving the fabric in such a way that the design is created by the different reflectivity of the warp and weft threads, rather than by the use of dyed threads. The designs are often floral or geometric patterns and can be very intricate. The effect is a reversible fabric, with a glossy pattern on one side and a matte pattern on the other.
- Satinwood - Satinwood is a dense pale gold coloured timber that was imported into Britain in the second half of the 18th century, and early 19th centuries from the East Indies and the West Indies. The name derives from the satin-like surface sheen when the timber is polished.
It was used in the solid, as a veneer and in inlays. As well as furniture, satinwood was used for making musical instruments, barometers, boxes and clocks.
It will usually be found on only the very best quality objects, presumably because of of its cost at the time.
- Thomas Sheraton - Thomas Sheraton (1751-1806) was born in Stockton on Tees in the north of England. He was apprenticed to a local cabinetmaker and after working as a cabinetmaker, Sheraton moved to London about 1790. Although he described himself as a cabinet-maker, like Chippendale, no definite piece of furniture can be traced to him as maker. Nevertheless, he was immensely influential and in 1791-4 published his four volume book 'The Cabinet-Maker and Upholsterer's Drawing Book'. The books were used as source of design by the furniture-making trade , who often simplified or modified the designs to suit their own preferences. Sheraton furniture is marked by restraint and sophistication, elegance and discretion, though he also found time to invent fanciful combination furniture.
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