Gilded French Wall Mirror with Elaborate Vegetal Frame

• Distressed - Usually applied to describe the condition of an item of furniture, and means that the object is extremely worn and is verging on being unsuitable for its intended use, without some restoration or repairs being undertaken.
  
  Furniture can also be artificially distressed, by deliberate infliction of superficial damage to make it appear old. Artificial distressing can be done with the object of deceiving a purchaser, where the object is being passed off as "of the period", or can be done for aesthetic reasons so that a new object is made to appear as though it has been in use.
• Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
  
  For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
  
  Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
• Lion Mask - The lion mask has been used for centuries in various forms of art and design, including furniture, silver, and ceramics, and is usually y depicted as a stylized representation of the face of a lion, often with an open mouth and protruding tongue. and is often used as a handle, knob, or other decorative element.
  
  In furniture design, lion masks were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as decorative elements on the legs or arms of chairs, as well as on cabinet and drawer pulls. It was also used as a handle, knob, or other decorative element.
  
  In silverware design, lion masks were often applied to tea and coffee pots, as well as on candlesticks, snuff boxes, and other small silver items. The lion mask was often used in combination with other neoclassical motifs, such as laurel wreaths or acanthus leaves, to create a sense of grandeur and classical elegance.
  
  In ceramics, lion masks were often depicted in relief, and were sometimes used in combination with other decorative elements, such as garlands or swags.
  
  

• Bevel / Chamfer - In furniture making, a chamfered corner refers to a technique used to create a smooth, angled edge on the corner of a piece of furniture. This is typically done by cutting away a small portion of the corner at an angle, typically 45 degrees, creating a diagonal edge, rather than a sharp 90-degree angle. This technique can be used on various parts of a piece of furniture such as table legs, drawer fronts, or door frames. Chamfering can add visual interest to a piece and can help to soften the overall look of a piece of furniture. It is often used in conjunction with other techniques, such as rounding edges or using contrasting wood species to create a more elegant, sophisticated look. Chamfering is a simple way to add a touch of elegance to a piece of furniture and it is a common technique used by furniture makers.

This item has been included into following indexes:

• mirrors, wall, period, age or style
  • French 663
  • overmantle 830