Harry Davis Royal Worcester Pot Pourri Jar

A Royal Worcester pot pourri jar by Harry Davis, 1922, ovoid…
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A Royal Worcester pot pourri jar by Harry Davis, 1922, ovoid with a gilded basketweave base and a moulded reticulated cover and an internal lid, decorated to the body with a scene of Scottish black face sheep in an autumnal rural setting, signed H. Davis lower left, puce backstamp underside, shape 1286, 20 cm high. Provenance, Leonard Joel, November 2009, lot 185

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  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Basket Weave / Basketweave - Basket weave is a decorative pattern that is often used in textiles, ceramics, furniture and other decorative arts. It is created by actual or simulated interweaving of horizontal and vertical threads or strips to create a pattern that resembles a woven basket.

    In textiles, basket weave can be created using various materials such as fabric, yarn, or ribbon. It is often used to create decorative details on clothing, upholstery, and other household items. Simulated basket weave can also be created using ceramic clay, timber or other materials, and it is often used to decorate pottery, tiles, furniture, silver and other decorative objects.

    Basket weave patterns can vary in complexity, from simple, straightforward designs to more intricate, elaborate patterns. The size and spacing of the interwoven threads or strips can also be varied to create different effects. Basket weave is often used to create a natural, rustic look and is often associated with traditional crafts and folk art.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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