Royal Worcester Wisteria Covered Vase

An impressive Royal Worcester covered vase, 1891, globular,…
click the photo to enlarge
An impressive Royal Worcester covered vase, 1891, globular, with a reticulated collar, husk swags, ribbons and bold acanthus mounted handles surmounted by a stepped dome lid, decorated to the body with wisteria blooms and foliage picked out in gilt upon an ivory ground, puce backstamp, registration mark and shape number 1429 underside, 40 cm high

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  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
  • Husk Motif - The husk motif is a decorative element that has been used in furniture, silver, glass and ceramics decoration for centuries. The motif is typically based on the shape of the husk, or outer covering, of a nut or seed. It is often depicted as a series of overlapping, scalloped shells that create a textured, ornamental pattern.

    In furniture, the husk motif is commonly used in the design of chair and table legs, as well as in the decoration of cabinet doors and drawer fronts. The motif is carved into the wood or other material, creating a three-dimensional effect that adds depth and visual interest to the piece.

    In ceramics, the husk motif is used in a variety of ways, from the decoration of bowls and plates to the design of decorative tiles and other objects. The motif is often painted or carved into the surface of the clay, creating a relief pattern that adds texture and dimensionality to the piece.

    The husk motif has been used in many different historical and cultural contexts, from ancient Greece and Rome to 18th-century France and England. It has been adapted and modified over time, with variations including the acanthus leaf and the palmette motif.

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