A Japanese studio vase by Shimizu Uichi (1926-2004), Showa period (1926-1989), of baluster form in stoneware with a large persimmon glaze splash to one side, and to the other a smaller iron brown splash. Impressed circular mark for Uichi to the base. Together with the tomobako (original Japanese signed wooden box), 22.5 cm high, 14 cm diameter. Other Notes: a master of experimentation with ancient Chinese style glazes but with his own modernist influence on the shapes, Uichi was appointed a Living National treasure in 1985 for his application of tetsu-yu (iron glaze), for which this vase is a good example,
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- Modernism / Modernist - Modernist furniture and design emerged in the early to mid-20th century as a response to traditional styles of the 19th century and prior times, and a reflection of the technological and social changes of the time. Characteristics of Modernist furniture and design include simplicity and minimalism and clean lines and a lack of unnecessary ornamentation are key features. That form follows function is a fundamental principle of Modernist design, and furniture and objects are designed with a focus on their practical use.
Modernist furniture often incorporates geometric shapes, such as cubes, rectangles, and circles. This reflects a departure from the more ornate and curvilinear forms of previous design styles. The furniture often prioritizes ergonomic design, ensuring that objects are comfortable and user-friendly. Modernist designers aimed to create designs that could be mass-produced, making good design accessible to a broader population.
Prominent figures associated with Modernist furniture and object design include designers such as Hans Wegner, Verner Panton, Florence Knoll, Harry Bertoia and Ettore Sottsass
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