WWII Naval Officer's Dress Sword with Provenance
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A World War II naval officer's dress sword, gilded brass guard with shagreen and brass hilt, blue and gold sword knot and tassel, the blade engraved with the G.R. Cypher, decorative embellishments and maker, Wilkinson swords, London, with leather and gilded brass scabbard and the waterproof cover. Provenance: from the vendor's father who was an anti-submarine officer on British destroyers escorting convoys in the Atlantic, Mediterranean, Pacific and Indian oceans. In 1949 he was appointed a Ranvr Lieutenant Commander.
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- Shagreen - Shagreen is the untanned smoothly pebbled textured skins of rays, sharks or dogfish. In finishing, it is dyed, mostly green, but the colour often fades to a cream colour. Shagreen was a popular material in Europe during the Art Deco era, when designers sought to mould the French tradition of luxury with exotic and precious materials. Most collectable items made from shagreen are smaller objects, like glasses cases, dagger and sword hilts, dressing accessories, boxes and picture frames.
- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
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