19th Century French Boulle Style Pedestal with Brass Inlays

• Boulle - Boulle work is the name given to tortoiseshell and metal inlay using brass and sometimes silver, found on furniture and smaller wooden objects. It originated in Italy but was developed by Frenchman Andre Charles Boulle (1642 - 1732) under Louis XIV.
  
  Boulle was appointed Royal Cainet Maker to Louis XIV and designed furniture and clockcases for the monarch.
  
  In preparation, the tortoiseshell and metal were cut together following a design, using a fine fret saw.
  
  In the application of the Boulle, the carcase of piece of furniture was covered with the tortoiseshell which in turn was inlaid with the matched designs in metal, which in turn was elaborately engraved.
  
  The use of Boulle work furniture continued mainly in France until the 19th century.
• Tortoiseshell - Tortoiseshell is a translucent material that comes from the horny carapace of a certain types of turtles, including the hawksbill turtle. It is often therefore mounted on a colour underground - often red - or inlaid with gold or silver thread, as seen in Boulle furniture.
  
  The texture and colour nuances of the material are extremely important. Heated tortoiseshell can easily be formed into various shapes. Like other natural materials, tortoiseshell becomes more beautiful with use. In a time before plastic, tortoiseshell was widely used for small objects such as combs and powder compacts.
  
  In 1973, the trade of tortoiseshell worldwide was banned under CITES (The Convention on International Trade in Endangered Species). Prior to importing or exporting items containing tortoiseshell a CITES permit must be obtained. Tortoiseshell items cannot be traded on Ebay.
  
  "Faux tortoiseshell", another case of man initiating nature, is made from old-style plastics such as celluloid and cellulos and is coloured with red, yellow and brown spots to imitate the genuine article. It is commonly used in glasses frames, musical instruments and costume jewellery.
• Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
• Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
• Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed

This item has been included into following indexes:

• Boulle - furniture, sundry items 24
• pedestals and columns, material - gilt and gilded 104