Continental Silver Pocket Watch for Chinese Market

19th century Continental silver consular cased pocket watch…
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19th century Continental silver consular cased pocket watch with exhibition back, for the Chinese market. 46 mm unmarked plain case, back opening to reveal a glazed exhibition window displaying engraved and gilded movement with crab tooth duplex escapement. Bullseye glass, white enamel dial, Roman numerals, minute indices, gold hands, centre seconds.

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  • Duplex Escapement - A duplex escapement is used in clocks and watches to control the release of energy from the mainspring to the timekeeping mechanism. The duplex escapement is a variation of the lever escapement and is characterized by the use of two pallets, or escape wheels, to control the release of energy.

    In a duplex escapement, the balance wheel, which oscillates back and forth, alternately pushes against the two pallets. This allows the energy stored in the mainspring to be transferred to the balance wheel in a controlled manner, keeping the timekeeping mechanism accurate.

    One of the advantages of the duplex escapement is its relatively low friction, which helps to maintain accurate timekeeping and prolong the life of the clock or watch. Additionally, the duplex escapement is relatively easy to maintain and repair, making it a popular choice for clockmakers.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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