A Victorian green Japanned and faux bamboo partner's pedestal…
click the photo to enlarge
A Victorian green japanned and faux bamboo partner's pedestal desk, in the Brighton pavilion style, the leather lined top above frieze drawers, on pedestals with drawers and cupboards, decorated with gilt chinoiseries on a green ground, height 85 cm, width 154 cm, depth 90 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Pedestal Desk - A pedestal desk is a type of desk that consists of a large work surface supported by two pedestals or cabinets, one on either side. The pedestals are usually identical and contain drawers and cabinets for storage. The desk's design allows it to be placed in the centre of a room, as the back of the desk is usually finished with the same veneer as the front.

    Pedestal desks were popular in the 18th and 19th centuries, and were usually made from high-quality wood, such as cedar, mahogany, walnut or oak, and were decorated with intricate carvings and other decorative details. They were used by businessmen, politicians, and other professionals, and were considered a symbol of status and success.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Faux - A French word meaning "false", but when used in decorative arts, the intention is not to deceive, but to simulate the decorative effects of the more expensive material it is imitating. The term " faux bois" meaning "false wood" refers to a furniture item that has been decorated with a marked grain (woodgrain finish)  to imitate a more expensive timber.
  • Faux Bamboo - Faux in French means "artificial" or "imitation", so faux bamboo is imitation bamboo. The wood was turned, notched and painted to look like bamboo. It was a popular design feature in the Regency period and can be seen on many "Chinese Chippendale" pieces.

    Influenced by the growing trade with China, the style reached its peak with the Prince Regent's Royal Pavilion at Brighton, designed by John Nash, and built between 1817 and 1822.
  • Pedestal - The columns that support many dining tables and most small occasional tables. They are usually turned, though octagonal-shaped pedestals were fashionable during the 1830s and 1840s.
  • Japanning - Japanning is the early eighteenth century technique used by European craftsmen to imitate the oriental style lacquer work that became popular in England, France, the Netherlands, and Spain in the 17th century.

    The lacquer used was based on the lac beetle dissolved in alcohol (as used in French polish) and differed from the Chinese lacquer which was based on tree sap.

    Each layer of the lacquer was allowed to dry and then sanded down. It was applied over cream, yellow, green, red, or black grounds. Japanning using gold leaf was also widely used with lacquer work. The technique can be found on bureaux, cabinets, chests, longcase clocks, and chairs.
  • Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.

This item has been included into following indexes: