Colonial Tasmanian Huon Pine Chest of Drawers

A Colonial huon pine chest of five drawers, with cross banded…
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A Colonial huon pine chest of five drawers, with cross banded edging, cock beading and original circular brass escutcheons, Tasmanian origin, circa 1850, 119 cm high, 111 cm wide, 49 cm deep

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Cock Beading - A thin, slightly rounded timber moulding, projecting about 2mm around the edges of a drawer. It was introduced in the early 18th century, essentially to protect the veneer on the drawer-fronts from damage, though the decorative possibilities of cock beading were soon realized. The device continued to be used well into the 19th century. Cock beading is either glued or pinned to the upper and lower lips of a drawer and into shallow rebates on each side. The joints are neatly mitred, and crude butt joints should therefore be treated with suspicion.
  • Huon Pine - Named after the Frenchman who discovered the Huon River in Tasmania, it is an extremely slow growing and long living tree. Huon pine is native to Tasmania, and it can grow to an age of 3,000 years or more. The wood contains oil that retards the growth of fungi, hence its early popularity in ship-building in convict-era Tasmania. The timber is a warm yellow colour, finely grained, and was popular for household furniture in the Victorian era. Interestingly, much Huon pine furniture was made in South Australia. Huon pine is a protected species and only limited quantities are available nowadays, for craftsmen to manufacture small items such as platters, sculptures and other decorative objects.
  • Escutcheons - An escutcheon is a plate, made of brass, wood, ivory or ebony, which fits into or over the h keyhole, to protect the edge of the timber keyhole from damage by continual insertions of the key. As a general rule you would expect these escutcheons to be sympathetic in design to the handles of the piece. From the early 19th century escutcheons were sometimes made from ivory, ebony, bone or contrasting wood, often cut in a diamond or shield shape and inlaid into the front. Ivory, in particular, will tend to discolour with age, and certainly should not show up as brilliantly white.

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