Devil's Love: A Symbolic Intaglio Ring

Gold and carnelian intaglio ring; centring a carved carnelian…
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Gold and carnelian intaglio ring; centring a carved carnelian depicting the Devil carrying away cupid, engraved 'Le Diable Emport L'Amour', mounted in 9ct gold, size M, total gross weight approximately 3 grams.; notes:; 'Le diable l'emporte' ('May the devil take him') is a novel written by the renowned French author Rene Barjavel in 1948. The story unfolds in a post-apocalyptic setting, where a future World War ravages the earth with its devastating weapons. As a result, the few remaining humans are compelled to seek refuge deep underground within a concealed vault. Barjavel's novel carries a profound message of pessimism regarding the impact of technology, while simultaneously exalting the virtues of grounded individuals and traditional farmers. In popular culture, the reference Le Diable Emport L'Amour means 'The hell with love'

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  • Intaglio - A term used to define a method of decoration most common in glassmaking and jewellery which involves engraving, carving or moulding an image into the background, leaving an impression, and leaving the top surface of the item flat, the opposite to relief carving, and also know as counter-relief.
  • Carnelian Glass - Carnelian glass is a type of glass that is colored red, orange, or brownish-red. It is made by adding iron oxide to the glass mixture. The color of carnelian glass can vary depending on the amount of iron oxide that is added, as well as the firing temperature. Carnelian glass is often used to make beads, jewellery, and other decorative items. It can also be used to make stained glass windows and other art objects. Carnelian glass is sometimes called "carnelian chalcedony" or "carnelian quartz."

    Carnelian glass was first made in the Roman Empire. It was also made in ancient Egypt, Greece, and Mesopotamia. Carnelian glass was not made again until the Renaissance, when it became popular again. Today, carnelian glass is made in many countries around the world.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

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