Late 19th Century Victorian Cedar Bookcase with Glazed Doors
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A Victorian cedar bookcase, late 19th century With rectangular everted pediment, two glazed doors with original glass panes above an extended base with a full width moulded drawer, two rectangular panelled doors flanked with carved corbels, raised on a plain plinth base, height 216 cm, width 108 cm, depth 51 cm
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- Plinth - The square or rectangular base of a piece of cabinet furniture, often ornamented with moulding. The plinth may be separate, as in some wardrobes or presses, and act as the support for the carcase. In a false plinth, the moulded boards may be attached directly to the piece. Furniture with a plinth base usually does not have separate feet. The term derives from architecture where it denotes the base of a column or statue.
- Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910. - Everted - An everted rim is an outwardly turning or flaring outwards rim, as seen the rims on jugs, vases, bowls and dishes.
- Corbel - An architectural term for a support for a projecting bracket, ostensibly supporting a beam or horizontal feature, but used in bookcases, sideboards and chests as a decorative element. Corbels are often carved with acanthus or other scrolling decoration.
- Pediment - The uppermost section of a tall usually double-heightened piece of cabinet furniture, surmounting the cornice. The pediment can take a variety of forms derived from the architecture of classical antiquity. A broken pediment is of triangular shape, however, the two raised sides do not meet at the apex but are 'broken' the gap between them often ornamented with an urn or finial. Swan-neck pediments are of similar form, although the uprights are gracefully arched, resembling a swan's neck. They are often found, for example, on longcase clocks.
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