Victorian Irish Sterling Silver Wine Ewer with Neo-Classical Design
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Victorian Irish sterling silver wine ewer, neo-classical design, embossed floral and scroll decoration, gilt interior, two cartouches, one with monogram for William Jameson, the other of a sailing ship with the latin motto 'Sine Metu' (without fear), which is the motto of the Jameson family, Dublin 1891, makers initials Lr
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- Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.
In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..
Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body. - Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
- Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
- Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).
Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.
When he returned to England he became the Court Architect to George III (1738-1820).
In turn, designs by Adam then influenced Hepplewhite.
Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern. - Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.
The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
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