A large Napoleon III gilt-framed overmantel mirror, third quarter 19th century, in neo-classical manner, the rectangular plate in a frame of conforming shape with portrait relief medallions to the sides and various classical foliate and other details throughout, 244 cm high, 158 cm wide
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- Foliate - Decorated with leaves or leaf-like forms.
- Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).
Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.
When he returned to England he became the Court Architect to George III (1738-1820).
In turn, designs by Adam then influenced Hepplewhite.
Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
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mirrors, wall, period, age or style