Set of Eight Rococo Louis XV Style Oak Chairs
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Set of eight rococo Louis XV style oak chairs, late 19th century, upholstered back and seat in geometric damask fabric, craved cabriole legs joined by X shape stretchers (8), height 91 cm, width 46 cm, depth 50 cm. provenance: Ben Stoner Antiques, Sydney
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- Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.
First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century. - Rococo - A stylistic development covering the period from about 1730 to 1770, during the reign of Louis XV in France. The rococo style falls between the rather overbearing manner of the Baroque and the formal elegance of Neoclassicism. The Rococo style reached its full maturity in France, though many of its features were used by English furniture makers. The style is marked by asymmetrical forms, especially pierced and intricate scroll work as in mirror frames, chair backs etc., and the use of shells and floral motifs. The term derives from the French 'rocaille', meaning rock work, as in gardens and fountains. There was a major Rococo revival in the mid-19th century and indeed much of what is now considered to be typically Victorian furniture is influenced by the Rococo. It is essentially feminine in feeling, and for this reason, perhaps, was regarded as rather frivolous by its successors.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods. - Damask - Damask is a type of fabric that is characterized by its glossy finish, smooth texture, and intricate designs. The fabric is typically made from a combination of silk and other natural fibers, such as cotton or linen, and is often used to make clothing, upholstery, and other decorative items.
The origins of damask fabric can be traced back to ancient Rome and the Byzantine Empire, where it was used to make clothing and other textiles.
The fabric is made by weaving the fabric in such a way that the design is created by the different reflectivity of the warp and weft threads, rather than by the use of dyed threads. The designs are often floral or geometric patterns and can be very intricate. The effect is a reversible fabric, with a glossy pattern on one side and a matte pattern on the other. - Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
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