A Louis XV style walnut sideboard, mid 20th century, the…
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A Louis XV style walnut sideboard, mid 20th century, the break-front top with canted sides, above two central drawers and a cupboard with shaped and carved fielded panels, flanked by two full length cupboards with floral-carved details, a carved curvaceous apron with a shell form embellishments, all raised on six small scrolled feet, with ornate cast handles and pierced escutcheons. Height 97 cm, width 203 cm, depth 52 cm

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  • Escutcheons - An escutcheon is a plate, made of brass, wood, ivory or ebony, which fits into or over the h keyhole, to protect the edge of the timber keyhole from damage by continual insertions of the key. As a general rule you would expect these escutcheons to be sympathetic in design to the handles of the piece. From the early 19th century escutcheons were sometimes made from ivory, ebony, bone or contrasting wood, often cut in a diamond or shield shape and inlaid into the front. Ivory, in particular, will tend to discolour with age, and certainly should not show up as brilliantly white.
  • Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
  • Apron - A decorative wooden panel that sits underneath the top surface of a table or chair, and unites the top of the piece with the legs, running at right angles to the underside. On carcase furniture such as a chest or wardrobe, the apron sits below the drawers or doors and attaches to the legs.

    On carcase furniture without legs the panel under the drawers or doors sits on the floor and is termed a plinth.

    An apron can provide a decorative touch to an otherwise unadorned piece of furniture and at the same time provide structural support and strength. They can be carved or pierced and quite elaborate.
  • Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
  • Scallop / Shell Motif - The shell motif has been used in furniture and decorative arts for centuries. In ancient Greece and Rome, shells were often used as decorative elements on furniture and in mosaics. The scallop or cockleshell are the most commonly used. During the Renaissance, the shell motif became popular in furniture and architecture, as the ornate decoration was seen as a symbol of wealth and luxury. In the 18th century, the Rococo style of furniture and decorative arts featured an abundance of shell motifs, and it was used by Thomas Chippendale and as a feature on Queen Anne style cabriole legs. In the 19th century, the shell motif was incorporated into Victorian furniture and decorative items, and often a representation of the the conch shell was inlaid into furniture.

  • Fielded Panel - A recessed panel, where the outer edges have been bevelled or chamfered. The central section of the panel is thus raised or 'fielded'. The field may follow a variety of shapes square, rectangular, rounded or shield shaped. Fielded panels are found on many cabinet doors made over the past several centuries. On some chests, the drawer fronts may also be fielded

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