A George III Scottish sterling silver cake or bread basket, Robert Gray & Son, Edinburgh 1817, of elegant plain form with a formal border and anthemion motif to the swing handle, hallmarked underside, 28.5 cm diameter, 885gms silver
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- Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.
The hallmark will consist of several marks, including the:
- silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.
- the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.
- the date mark, usually a letter of the alphabet in a particular font and case,
- a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890
The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.
Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
- Anthemion -
An anthemion is a classical decorative design element based on the acanthus flower that consists of a central circular or oval motif surrounded by radiating petals or leaves. It is often used as a border or frieze in architecture, furniture, and other decorative arts. The anthemion is derived from the palmette, a motif that was popular in ancient Greek and Roman art and architecture. It is often associated with the classical world and with Neoclassical style, and it is often used to add a sense of grandeur and formality to a design. The anthemion is also known as a honeysuckle or honeysuckle ornament. It continues to be used in a variety of contexts today, and it is often admired for its elegant and decorative qualities.
- Bread Basket - Bread baskets were commonly used from the 17th to the 19th centuries in Europe and America as a serving piece at formal meals. In the early 17th century, bread baskets were made of wood, pewter and later silver as it was an expensive and prestigious material and demonstrated off the host?s wealth and status.
These bread baskets were usually oval or circular in shape, and were typically decorated with intricate engravings, embossing, and other decorative details. Some were plain and simple, while others were quite ornate, featuring raised scrollwork, beading, or other decorative motifs. Those made in the early 17th century tend to have two handles but surviving examples are rare. From the mid 1770s they usually have a central swing handle. The handles were typically ornate and often curved or scrolled. The shape and size of these baskets varies; some are large, meant to hold multiple loaves, others are more compact and meant for one loaf. By the 18th century, most bread baskets were made of silver.
- George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
- Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.