Antique 14ct Gold German Hunter Pocket Watch, c.1900
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14ct gold German hunter pocket watch, c.1900, with white enamel dial, Roman numerals minute indices, Arabic numerals at five minute divisions, centre with 24 hour indices from 13 to 24 in red Arabic numerals, subsidiary seconds dial at VI. Gold cuvette marked 'Systeme Glashutte'. Good fully jewelled movement numbered 90359 on back plate and cuvette. The front and back covers with radial machine engraving, a vacant cartouche to the front. Total weight 106gm
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- Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.
In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted. - Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
- Hunter - A hunter pocket watch is the type where the case includes a spring-hinged circular metal lid or cover, that closes over the glass face of the watch, protecting it from dust, scratches and other damage or debris. The majority of antique and vintage hunter-case watches have the lid-hinges at the 9 o?clock position, suiting the right handed user.
- Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.
On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.
The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.
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