A large Chinese cinnabar and black lacquer round box, Qing Dynasty (1644-1912), 18th / 19th century, deeply carved in cinnabar red overlaid over black lacquer, decorated with a central scene of scholars in a landscape with a pavilion, the sides with shaped reserves containing figures in landscapes interspersed with floral sprays against a square repeating diaper ground. 16 cm high, 29 cm diameter, condition: chips to the lacquer around the inner edge of the box base, revealing the cloth substrate. Possible relacquering around the box outer edges. One small old repair to the footrim of the box. Some small old age cracks to the inner surface of the box lid.
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- Ming Dynasty - The Ming Dynasty was a ruling dynasty of China from 1368 to 1644. It succeeded the Yuan Dynasty and preceded the Qing Dynasty. The Ming Dynasty was established by Zhu Yuanzhang, a former Buddhist monk who became a rebel leader and eventually overthrew the Mongol Yuan Dynasty. During the Ming Dynasty, China experienced a period of relative stability and prosperity. The government was centralized and bureaucratic, with the emperor at the top of the hierarchy. The Ming Dynasty is known for its cultural achievements, including the development of porcelain, the invention of movable type printing, and the construction of the Great Wall of China.
- Cinnabar - Cinnabar is an intense deep red colouring agent that has been in use for thousands of years, derived from crystalised red mercuric suphide. It is made into a coating by grinding ore into a fine powder then mixing the powder with lacquer made from the sap of the Rhus tree, which grows in East Asia.
As applied to Oriental antiques, cinnabar refers to successive layers of laquer applied to the metal base of an object. Once the coating has dried and hardened, a further layer is applied. The layers continue to be applied until the thickness is 3 to 6 mm, and this may take up to 200 to 300 coats. At this stage, the surface is ready for the carving, that is characteristic of cinnabar items.
Because of the labour required, cinnabar items are usually small, such as vases, boxes, trays and snuff bottles.
However buyers should be aware that the cinnabar technique has been copied using modern plastic type materials that are moulded rather than carved. A close examination of a genuine cinnabar item under a strong magnifying glass or jewellers loupe should show evidence of the many layers that make up its thickness, and possibly tool marks left by the carver.
- Diaper Motif - The diaper motif is a repeating geometric pattern in decorative arts that consists of small diamond or lozenge shapes arranged in a grid. The pattern is often used as a background or border on textiles, ceramics, metalwork, and other decorative items. It can be found in a variety of cultures and historical periods, and is often used in formal or ornamental designs. The name "diaper" comes from the pattern's resemblance to the criss-crossed fabric of a baby's diaper.
- Qing Dynasty - The Qing Dynasty was the last imperial dynasty of China, ruling from 1644 to 1912. It was established by the Manchu people, who originated from the northeastern region of China. The Qing Dynasty was preceded by the Ming Dynasty and followed by the Republic of China.
- Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.
The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.
Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.
The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.
In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.
In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.
In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.
In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology
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