Louis XV Style Vernis Martin Inlaid Kingwood Vitrine, Signed Dellage

• Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
  
  The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
  
  It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
• Signed or Stamped - A signed piece of furniture may mean that the maker has signed (and hopefully dated) the piece in the same way that we sign a cheque, but more likely, that it bears evidence of the name of the maker, wholesaler or retailer as a paper label, metal plaque, impressed into the timber or in later pieces after about 1880, stamped onto the timber with an ink stamp.
  
  The 'signature' or stamp will always be in an unobtrusive position: under the top of a table, on the underside of the rails of a chair, inside a drawer or on the back.
  
  The fact that a piece is 'signed' considerably enhances its value. Signed Australian furniture is extremely rare, and for imported furniture, it is a mark of quality of the item, as only the items by the top makers or retailers were 'signed'
• Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
• Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
• Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
• Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
• Mounts - Mounts are used to describe bronze, brass and ormolu adornments on furniture especially quality furniture in the rococo and classical revival style, and are also the cabinet makers' name for the metal fittings on furniture, such as hinges, locks and handles, and metal edges and guards which protect furniture from damage.
• Vernis Martin - A generic name for a type of lacquer finish applied to furniture and a multitude of small articles, giving a brilliant translucent finish, imitating the Chinese and Japanese lacquer finishes on furniture imported into France during the Louis XV period..
  
  Usually the surface to which the lacquer is applied was embellished with painted decoration of a classical scene.
  
  The name is derived from the inventors, Simon-Etienne Martin and his two brothers, a distinguished family of French artist-artificers of the 18th century, who refined and perfected the technique, and were granted a monopoly in its manufacture in 1730.
• Bombe Front - More commonly associated with a dome shaped dessert, "bombe" in furniture parlance means "puffed out". In profile the piece is serpentine shaped, narrow at the top, swelling out towards the middle and continuing to the floor, though sometimes it narrowed again at the foot. Drawer fronts are curved in section. Bombe pieces are often highly decorated with marquetry inlay, or veneered and set with brass or ormolu mounts. The most common use of the word, is in the description of the 'bombe commode'.
  
  The bombe design was particularly popular in the 18th century, during the reign of Louis XIV, when it was used to create furniture pieces with a curved, rounded bulging shape. This design was used on furniture in many styles, including Baroque, Louis XIV, Louis XV and Louis XVI. The bombe chest is one of the most iconic furniture piece featuring this design. They were usually made of precious woods like mahogany, rosewood, and walnut, and feature elaborate inlay, gilded ornaments and ormolu. Other items of furniture where the bombe design can be seen include cabinets, commodes, and desks.

This item has been included into following indexes:

• display cabinets, material - kingwood 56
• display cabinets, origin - French 406
• furniture, material or decoration - Vernis Martin decoration 43
• vitrines - (upright display cabinet) 297