A fine Worcester porcelain turquoise- blue ground shaped circular plate, decorated in the atelier of James Giles with fruit and flowers and a gilt cornucopia border. English circa 1760. Provenance: Robert Burke collection no 19. Reference: A turquoise cornucopia ground plate: Simon Spero Worcester Porcelain The Klepser collection colour pl. 42 no.151, 22.7 cm diameter
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- Atelier - Atelier (French for "workshop"), in English usuage describes the workshop of an artist in the fine or decorative arts, where the artist and a number of assistants, students and apprentices worked together producing pieces that went out in the artists name. This was the standard practice for European artists from the Middle Ages to the 18th or 19th century
- Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
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