Royal Worcester Porcelain Banquet Oil Lamp, 1893 - Classical Design

An impressive Royal Worcester porcelain banquet oil lamp, shape…
click the photo to enlarge
An impressive Royal Worcester porcelain banquet oil lamp, shape 1354, dated cipher for 1893, of classical torchere form, the etched cranberry glass shade enclosing the Hinks & Son brass burner in a vase shaped bowl atop a baluster stem raised on a triangular base on hoof feet, modelled with various grotesque masks, foliage, and other classical motifs, matt glazed in ivory with the moulded decoration in terra cotta and brown, gilt details throughout, printed factory marks underside, 88 cm high including shade (but excluding the chimney). Condition: lamp base: chip to one hooved foot repaired, small areas of restoration to decoration throughout. crazing in places., Flue: one small crack to base, shade: small chips to base

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Crazing - A network of fine cracks in the glaze of a ceramic item, caused by uneven shrinking during the firing process.
  • Terracotta - Terracotta is lightly fired earthenware, red or reddish-brown in colour, used in ancient times. Fired at higher temperatures terracotta was used in the nineteenth century for decorative vases and similar objects, but rarely for utilitarian goods. Other uses for terracotta include roofing tiles, garden pots and ornaments. Glazed terracotta is known as faience.
  • Firing Crack - A firing crack is a crack in a porcelain or stoneware item that occurs whilst the item is in the kiln.They are usually caused by faulty design, where one part is thicker than the surrounding area, and being thicker it cools more slowly, setting up a stress with the surrounding area. Firing cracks are not often seen on modern mass produced porcelain, as the damaged items are discarded during prooduction. However they are seen in earlier items and artisan-produced objects.
  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • Grotesque - Grotesque decoration is any fanciful ornament applied to furniture and decorative arts, and includes distorted faces, mythical animals such as satyrs and sphinxes and less frequently fantastical fruit and flower forms.

    The Martin Brothers who set up their pottery at the end of the nineteenth century in Southall, Middlesex derived their fame from their hand made models of grotesque stoneware birds.

This item has been included into following indexes: