Pair of Kerr & Binns Worcester porcelain vases, dated 1858
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A pair of Kerr & Binns Worcester porcelain vases, and another very similar, the pair dated 1858, the decoration attributed to Thomas Bott, Snr, all of the same form and size, each beaker-shaped with an everted rim and waisted foot, white ground with gilt borders to the rim and foot, the front of each of the pair with a gilt-framed oval cartouche decorated en grisaille with the head of a classical female figure in profile on a pink ground, identified respectively as Penelope and flora, the other very similarly decorated but with different gilt borders at the neck and around the cartouche, this containing an unidentified male head, the pair with printed factory marks underside, each 10.5 cm high
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- Everted - An everted rim is an outwardly turning or flaring outwards rim, as seen the rims on jugs, vases, bowls and dishes.
- Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.
In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted. - Grisaille - Decorative painting in monochrome, usually shades of grey, olive green or buff, painted on wood, plaster, ceramic or stone surfaces to imitate marble figural sculpture or relief ornament.Grisaille, from the French "gris", or grey (colour) is a painting technique in which a monochrome image is created using only shades of gray, black and white, usually created by using a gray underpainting or a limited colour palette. It is often used to create the illusion of sculpture or relief on a flat surface, and was commonly used during the Renaissance and Baroque periods.
The technique of grisaille has been used in decorative arts for centuries. It was commonly used in the Renaissance and Baroque periods in Europe to create the illusion of sculptural relief on flat surfaces such as walls, ceilings, and furniture. This technique allowed artists to create the illusion of depth and dimensionality without the use of colour.
During the Rococo period, grisaille was often used in the production of ceramics and porcelain to create finely detailed designs on a white or light-colored surface.
In the 19th century, grisaille continued to be used in decorative arts, particularly in the production of ceramics, both Western and Oriental. - Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
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