Polychrome and Gilt Wood Multi-Armed Deity on Lotus Pedestal
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A large polychrome and gilt wood multi-armed deity, the multi-headed figure seated on a tiered and raised lotus pedestal base, backed by a removable flammiform lotus scroll mandorla, wearing long flowing robes and celestial scarf, the principle hands held together in front and others clasping a small bowl below, the remaining hands raised to the sides holding various attributes, black lacquer table-form stand, the figure 80 cm high overall, the table 57 cm high, 120 cm wide, 48 cm deep
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- Giltwood - Giltwood is used to describe a gold finish on furniture and other decorative wooden items, whereby a thin sheet of gold metal, called gold leaf, is applied to the surface for decorative purposes.
Unlike gilding, where the gold leaf is applied over a coating of gesso, with giltwood the gold leaf is applied direct to the surface, or over a coat of linseed oil gold leaf adhesive.
Most gold-finished mirrors will be gilded, whereas furniture with gold highlights will have the gold applied through the giltwood method. - Polychrome - Made or finished in many colours. For furniture, it is used to indicated a painted finish.
- Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.
The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.
Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.
The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.
In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.
In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.
In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.
In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology
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