19th Century Ellicott Wall Clock with van Diemans L& Company
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A 19th century wall clock, Ellicott, Royal Exchange, London, the 12 inch enamelled dial with Roman numerals, inscribed ' van Diemans L& Company' within a convex bezel and a mahogany frame, supporting a single-fusee movement within a cedar and mahogany case, back plate signed 'Ellicott, London', with numerous scratched names and dates to back of dial, 37 cm dia. Provenance: Christie's, Melbourne, 6th July 2005, lot 630, the van Dieman's L& Company was formed in England in 1825 by a group of London based businessmen
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- Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.
On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.
The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving. - Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
- Bezel - On a clock or watch, the bezel is the metal frame into which the watch or clock glass is fitted. In clocks, the bezel may include a hinge and a flange, in effect a door to the face of the clock. In jewellery the bezel is a band of metal with a projecting lip that holds the gemstone in its setting.
- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
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