A fine Louis XVI period landscape tulipwood and marquetry and gilt-bronze mounted table-a-ecrire, French circa 1770 with later alterations to the top 86 cm wide 45 cm deep closed 71 cm high. provenance: Probably Charles William Vane 3rd Marquess of Londonderry ( 1778-1854) and Frances Anne, Marchioness of Londonderry ( 1800-1865) and thence by descent. Christies London Works of Art from the Marquesses of Londonderry 22/23 May 2014 Lot 461. A highly significant private Sydney collection. Reference: Londonderry House Inventory 1886 p. 55, yellow drawing room, '34' tulipwood marquetry table sliding top inlaid with views, ormolu mounted'. Royal Aero Club, Londonderry House inventory, 1949, p. 6, library. Illustrated in situ in the drawing room of Alexander Charles Robert Vane-Tempest-Stewart, 9th Marquess of Londonderry ( 1937-2012) at his Hampstead home circa 1965. Dimensions: 86 cm wide 45 cm deep closed 71 cm high
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
- Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
- Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
- Marquetry - In marquetry inlay, contrasting woods, and other materials such as ivory, shell and metal are inlaid either as panels or in a single continuous sheet over the surface of the piece. The design may be straightforward, such as a shell pattern or a basket of flowers, or it may be infinitely complex, with swirling tendrils of leaves, flowers and foliage, such as one finds, for example, in the "seaweed" patterns on longcase clocks of the William and Mary and Queen Anne periods.
This item has been included into following indexes: