A fine and restrained satinwood banded and boxwood strung roll-top desk, attributed to Gillow and Company. English circa 1785. provenance: A highly significant private Sydney collection. Exhibited: For many years until recently at The Union Club, Bent street, Sydney. The Gillow family of Master cabinet-makers (1728?1814). In 1728 Robert Gillow began trading in Lancaster as a joiner, builder, house carpenter, furniture maker and overseas merchant. By the summer of 1731 he had entered into a partnership with a fellow catholic, George Haresnape, which had ended by 1735. By 1734 six other names appeared on their staff list. Gillows notably made heavy use of mahogany wood, which is indigenous to the Americas, from the early 1730s. In the early 1740s, Gillow owned a twelfth share of the ship Briget, which he partially used to import mahogany from the West Indies. The success of the firm was partly due to his ability to directly import mahogany; by 1742 Gillow was exporting finished mahogany furniture back to the West Indies. On 1 January 1757 Robert entered into an equal partnership with his son Richard Gillow (1733?1811), and the firm was known as Robert Gillow & Son. Richard was also the architect for several buildings in Lancaster. He financed the building of the Catholic church in Dalton Square, Lancaster in 1798. The family's Catholic history was important in building up a customer base within Lancashire's gentry, and their subsequent purchase of Leighton Hall, Lancashire from a cousin in 1822. On 31 December 1768 Robert Gillow I retired and left his share of the firm to his other son, Robert Gillow II (1747?1795). In 1769 and 1770, a shop at 176 Oxford Street, London, was sent up by the brothers' cousin, Thomas Gillow (1736?1779), to sell their furniture. (Gillow & company's London branch remained on this site until 1906, when the newly-merged Waring & Gillow built a new store nearby; Selfridges now stands on the site of the vacated store). Dimensions: 94 cm wide, 60 cm deep, 161 cm high
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- Boxwood - Boxwood is a hard, yellow coloured, close grained timber. In the 19th century it was often used for inlays, especially stringing, because of its contrasting colour to the darker timbers of the carcase. Stringing is the inlay of a narrow strip of veneer of a lighter colour, such as boxwood along or close to the edges of an object that has been veneered in a darker timber such as mahogany.
Because of its fine grain and resistnce to splitting or chipping it has also been used for treen, turnings, carvings and other small wooden items, such as chess pieces.
- Satinwood - Satinwood is a dense pale gold coloured timber that was imported into Britain in the second half of the 18th century, and early 19th centuries from the East Indies and the West Indies. The name derives from the satin-like surface sheen when the timber is polished.
It was used in the solid, as a veneer and in inlays. As well as furniture, satinwood was used for making musical instruments, barometers, boxes and clocks.
It will usually be found on only the very best quality objects, presumably because of of its cost at the time.
- Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.
- Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
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