A bronze and ivory figure of Pierrot, early 20th century, in…
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A bronze and ivory figure of Pierrot, early 20th century, in the manner of George Omerth (1895-1925), the cold painted bronze figure of Pierrot as a child, wearing his frilled collaret and hat, depicted standing and holding a bunch of flowers behind his back, raised on a flecked green onyx circular base, unmarked, with a crack to the ivory face, otherwise in good condition as catalogued, height: 14 cm

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  • Ivory - Ivory is a hard white material that comes from the tusks of elephants, mammoth, walrus and boar, or from the teeth of hippopotamus and whales. The ivory from the African elephant is the most prized source of ivory. Although the mammoth is extinct, tusks are still being unearthed in Russia and offered for sale.

    Ivory has been used since the earliest times as a material for sculpture of small items, both in Europe and the east, principally China and Japan.

    In Asia ivory has been carved for netsuke, seals, okimono, card cases, fan supports, animals and other figures and even as carved tusks.

    In the last 200 years in Europe ivory has been used to carve figures, for elaborate tankards, snuff boxes, cane handles, embroidery and sewing accessories, in jewellery and as inlay on furniture. Its more practical uses include being used for billiard balls, buttons, and a veneers on the top of piano keys.

    The use and trade of elephant ivory have become controversial because they have contributed to Due to the decline in elephant populations because of the trade in ivory, the Asian elephant was placed on Appendix One of the Convention on International Trade in Endangered Species (CITES), in 1975, and in January 1990, the African elephant was similarly listed. Under Appendix One, international trade in Asian or African elephant ivory between member countries is forbidden. Unlike trade in elephant tusks, trade in mammoth tusks is legal.

    Since the invention of plastics, there have been many attempts to create an artificial ivory
  • Cold Painted - This is term applied to so-called "Vienna bronzes" manufactured in that city starting in late part of the 19th century, and it continued in the early 20th century, but was also used by sculptors working in other areas of Europe at the time..

    Traditionally bronzes are finished by treating them with various acids and chemicals and heats, and the patina is incorporated into the surface of the piece.

    A cold-painted bronze is decorated with oil paints. The color was not fired, hence the term "cold painted". Reputedly the painting was carried out mainly by women working at home, a typical cottage industry.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Onyx - Onyx is a form of agate, used from antiquity and popular again in the 1920s and 30s. European onyx is generally green, but can be many other colours, and can contain bands of black and/or white.

    This multicoloured stone is widely used for table tops, lamp bases and in jewellery. Some types of onyx are also used for cameos of which the upper white layer is cut away to reveal the colour beneath.

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