Victorian George Jones Ceramic Oil Lamp with Bumble Bees

A Victorian brass mounted ceramic oil lamp, attributed to…
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A Victorian brass mounted ceramic oil lamp, attributed to George Jones, circa 1885, the glazed earthenware font and ovoid body transfer decorated with bumble bees flying amongst yellow daisies in the aesthetic style, supported by three mask and ball legs on a triform ceramic base, printed 'rd no 826' to the inside of the body, complete with a chimney and a frosted glass shade decorated with scrolls; a similar example in the collection of the Geffrye Museum, London. Height 57 cm

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Registered Numbers - Between 1842 and 1883, a diamond- shaped mark was used to identify items as British-made, which classified the item according to the material from which it was manufactured, as well as the date of registration. This system was discontinued in 1884 when a numbering system was introduced.

    Design registration is for "what and item looks like", and is not a patent ("how something works") or trade mark ("what it is called").

    The registered number is usually on an under-surface of an object (on the base of ceramics) and oftern shown as "Rd. No. 99999", sometimes surrounded by a rectangular box.

    The table below lists the year, and the first registered number for that year:

    1884 1

    1885 18,993

    1886 39,547

    1887 61,207

    1888 87,266

    1889 111,664

    1890 140,481

    1891 160,613

    1892 183,259

    1893 203,348

    1894 223,861

    1895 244,726

    1896 266,237

    1897 288,848

    1898 309,956

    1899 328,527

    1900 349,120

    1901 367,628

    1902 380,979

    1903 401,944

    1904 422,489

    1905 428,004

    1906 469,160

    1907 486,464

    1908 516,375

    1909 533,561

    1910 546,084

    1911 561,570

    1912 585,707

    1913 608,541

    1914 627,887

    1915 642,613

    1916 651,079

    1917 655,001

    1918 662,576

    1919 665,728

    1920 664,869

    1921 676,491

    1922 685,412

    1923 691,571

    1924 695,944

    1925 705,943

    1926 716,386

    1927 723,430

    1928 725,899

    1929 740,459

    1930 741,336

    1931 757,945

    1932 767,110
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Earthenware - A basic ceramic material that is fired at a low temperature. Earthenware is the basis of almost all ancient, medieval, Middle Eastern and European painted ceramics. After firing, the colour is the colour of the clay when it is dug from the ground: buff, brown and red. It is not waterproof until glazed. Creamware is a type of earthenware covered with a transparent lead glaze. Majolica, faience and delft are also earthenware covered in an opaque white tin glaze.

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