Vittorio Dassi Rosewood Sideboard with Maroon Glass Inlay
click the photo to enlarge
A Vittorio Dassi sideboard for Consorzio Esposizione Mobili Cantu, Italian, circa 1950s/1960s, clear glass upper shelf above three sections of inset maroon glass, rosewood veneer, chevron pattern satinwood inlay to the four doors, carved naive style gilded panels to the front of the four drawers, with broad gilt brass lock plates, 109 cm high, 280 cm wide, 52 cm deep
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Chevron Motif - In jewellery, a chevron is a V-shaped pattern or design that is often used to create a bold and striking visual effect, and as a symbol of strength, power and protection.. It is a classic motif used in many different styles of jewellery and can be seen in various forms such as on a ring, earrings, bracelets, and necklaces. It can be created with precious or semi-precious stones, pearls, or enamel. It can be found in different forms such as engraved or inlaid or beaded.
In ceramics the pattern is often used in decorative pottery and porcelain pieces, such as vases, bowls, plates and figurines. The chevron pattern can be created by using different colored glazes or by hand-painting the design onto the piece. It is also commonly found in the form of embossing or intaglio in decorative ceramic objects. This pattern can be seen as a popular design choice in Art Deco and Art Nouveau style of ceramics.
This chevron pattern can also be found in many different types of furniture, such as tables, chairs, chests of drawers, and cabinets. A common place to find chevron pattern is in a herringbone pattern, which is made up of repeating V-shaped patterns. The chevron pattern can be created by using different types of wood, inlaying or by using different colors of stain. It is also commonly found in the form of a veneer. This pattern can be seen as a popular design choice in mid-century modern, Art Deco, and contemporary style furniture. - Satinwood - Satinwood is a dense pale gold coloured timber that was imported into Britain in the second half of the 18th century, and early 19th centuries from the East Indies and the West Indies. The name derives from the satin-like surface sheen when the timber is polished.
It was used in the solid, as a veneer and in inlays. As well as furniture, satinwood was used for making musical instruments, barometers, boxes and clocks.
It will usually be found on only the very best quality objects, presumably because of of its cost at the time. - Rosewood - A dense timber that varies in shade to very light brown to almost black. When rosewood is cut and sanded the colour of the timber will turn black, and after polishing and exposure to daylight, the surface will gradually lighten over time to light brown with black streaks.
The name comes from the odour emanating from the timber when it is planed, sanded or cut.
Rosewood was very popular for use in Victorian furniture in the second half of the 19th century, and at that time most of the rosewood was imported from Brazil. However it also grows in India and Indonesia.
It is used in the sold for chairs and table legs, but for carcase furniture such as side cabinets and bookcases, and for table tops it is always used as a veneer. - Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today. - Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
This item has been included into following indexes: