An antique Biedermeier chest of four drawers veneered in well…
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An antique Biedermeier chest of four drawers veneered in well figured satin birch with cushion mouldings and bracket feet, circa 1845, 106 cm high, 115 cm wide, 52 cm deep

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  • Mouldings - Decorative strips, deriving from architectural features, that may be either applied separately to a piece of furniture or worked directly on to the carcase. Mouldings are found on cornices or pediments, around the edges of panels and drawer fronts, and around both the tops and bottoms of chests, bookcases and other cabinet furniture. Until the late 19th century mouldings were worked by hand, using a shaped moulding plane. Latterly, they have been shaped by machine.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
  • Figured - A descriptive term to describe the patterns in the grain of timber. An object may be described as "well figured" or "highly figured" if the grain on a section of the object is highly patterned, as with flame mahogany or burr walnut.
  • Bracket Feet - On bracket feet the corner edge is square and joined by a mitre to its partner on the opposite angle. The inner edge is usually shaped or scalloped. Bracket feet were first introduced in the early 18th century and used until c. 1830 and are found on carcase furniture such as chests, cabinets, bookcases and bureaux.

    Ogee bracket feet, a variation on straight bracket feet, have the outside edge forming an "S" shaped curve with the top bulging outward and the bottom turning inward.

    On splayed bracket feet, the exterior edge curves outward.
  • Birch - Birch is a Northern Hemisphere hardwood, closely related to the beech/oak family, and was a timber popular with 18th century craftsmen. Because of the blonde-golden colour of the grain when polished and its close grain, as a veneer it is often used as a substitute for satinwood where cost savings are required. From the late 18th century cabinetmakers in Russia and Eastern Europe used it in the solid for chairs and other furniture.

    Karelian birch is birch with a burr grain that resembles marble, from the Karelia region between Finland and Russia. Because only 30% to 40% of seeds result in trees with Karelian birch features, and the fact that it is very slow growing, the timber is very expensive.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.

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