Salvatore Melani (1902-1934), Diana and cupid, bronze, in a…
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Salvatore Melani (1902-1934), Diana and cupid, bronze, in a green patina, on a black marble plinth base, cast with incised signature to the reverse: bronze par S. Melani, 49 cm high, 80 cm wide, 25 cm deep

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  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
  • Patination / Patina - In broad terms, patination refers to the exterior surface appearance of the timber, the effect of fading caused by exposure to sunlight and air over the course of a century or more, changing the piece to a soft, mellow colour.

    As patina is very difficult to replicate, it is one of the most important guides to determining the age of furniture.

    Patina is also the term applied to the bloom or film found on old bronzes due to oxidisation.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

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