A rare Chinese white jade carving of a Buddhist conch shell, Qianlong period (1736-1795). It is carved from white jade into the shape of a conch shell. The spiral pattern unfolds layer by layer from the top, with each layer adorned with arranged markings and dots along the outer edge as decorations. The opening is rimmed with decorative motifs, while the back features several seated Buddha figures in double lotus posture, arranged between two layers resembling lotus petals. These figures symbolize transcendence, complete wisdom, eternal freedom, and the purification of karma, revealing the essence of Buddhist teachings. The conch shell is accompanied by a rosewood base designed to resemble rolling waves. Standing on it, the conch shell appears to rise from amidst the waves, further enhancing the overall sense of reverence of the entire piece. For an other larger Imperial white jade shell (20.3 cm long) dated to 18th century, see Christie's Hong Kong, 1/12/2010, lot 2960. Also see, Sotheby's London, 7/11/2012, lot 249 for a white jade carved shell without Buddhist symbol decorations. In addition, for a smaller example (11 cm long) also lacking Buddhist symbol decorations, see Bonhams London, 8/11/2018, lot 170. 12.5 cm high,
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- Rosewood - A dense timber that varies in shade to very light brown to almost black. When rosewood is cut and sanded the colour of the timber will turn black, and after polishing and exposure to daylight, the surface will gradually lighten over time to light brown with black streaks.
The name comes from the odour emanating from the timber when it is planed, sanded or cut.
Rosewood was very popular for use in Victorian furniture in the second half of the 19th century, and at that time most of the rosewood was imported from Brazil. However it also grows in India and Indonesia.
It is used in the sold for chairs and table legs, but for carcase furniture such as side cabinets and bookcases, and for table tops it is always used as a veneer.
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