Late 19th Century Cabinet Plates: Mintons, Wedgwood, Royal Worcester Collection
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A group of cabinet plates including Mintons, Wedgwood and Royal Worcester, late 19th century, comprising Wedgwood plates featuring children fishing, Wedgwood Etruria stamp, retailer mark for Mortlock, London, design X1116; an 1883 Royal Worcester floral plate with a jewelled border, puce mark underside, retailer mark for Osler, and; a Minton's plate featuring a nymph holding a lotus, within a Pate-sur-pate teal cavetto and tooled gilt borders, puce backstamp, design 33221, the largest Mintons plate 24.5 cm diameter
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- Jewelled Decoration - Jewelled decoration on ceramics is a technique where small, colourful, and often metallic beads or "jewels" are applied to the surface of ceramic objects to create intricate and highly decorative designs. This technique has been used throughout history and across different cultures, but it was particularly popular during the late 19th and early 20th centuries, especially in Europe.
The jewelled decoration is usually applied by hand, one bead at a time, onto a base glaze or enamel. The beads can be made of glass, porcelain, or even precious stones, and are often set in a metal setting, such as gold or silver. The end result is a highly decorative and often luxurious surface, which can add a lot of visual interest and value to the ceramic object.
Jewelled decoration was used on a wide range of ceramic objects, including vases, plates, bowls, and figurines. It was particularly popular in the Art Nouveau and Art Deco periods, where it was used to create highly stylized and ornate designs. - Etruria - The Etruria Works was one of the ceramics factories opened by Josiah Wedgwood in 1769 on the Ridge House Estate in a district of Stoke-on-Trent, Staffordshire, England, which he named Etruria. The source of the name was from that given to Greek vases which at that time were thought to be from Etruria in Italy, the source of Etruscan ceramics. The factory ran for 180 years, as part of the wider Wedgwood business.
- Pâte-Sur-Pâte - Pâte-sur-pâte is a decorative technique that is commonly used in ceramics and glassmaking. The term "pâte-sur-pâte" is French and it translates to "paste on paste." This technique involves the application of layers of clay or glass paste to create a three-dimensional design.
In ceramics, the technique involves applying successive layers of a clay slip onto a piece of pottery. Each layer is allowed to dry before the next one is applied. The layers are then carved or incised to create a design in relief. This technique is often used to create delicate and intricate designs, such as figures or floral motifs.
In glassmaking, the technique involves applying layers of molten glass onto a blown glass form. The layers are then carved or etched to create a design in relief. This technique is often used to create intricate designs, such as floral motifs or animals.
Both techniques require a high level of skill and precision, as the layers must be applied and carved with great care to achieve the desired effect. The end result is a beautiful and unique piece of art that showcases the artist's talent and mastery of their craft.
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