George I ebonised bracket clock by Joseph Windmills, London, c. 1700
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A George I ebonised bracket clock, circa 1700, by Joseph Windmills, London, the eight day movement with passing half hour strike and repeater by Joseph Windmills, London, with silvered chapter ring, Roman hours and Arabic minutes, date aperture, the spandrels with cherubim, the domed case with giltmetal handle, the plain frieze with pierced fretwork panel, on bun feet., height 42 cm, width 27 cm, depth 17 cm
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- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
- Date Aperture - A date aperture is a cut out section in the face of a watch or clock, displaying the day of the month.
- Chapter Ring - A separate metal plate on the face of a clock, on which the numerals for the hours and sometimes parts of the hours, are displayed, usually wheel shaped and sitting on top of the dial plate. The chapter ring is often a feature of the clock and can be silvered or enamelled to stand as a contrast to its background. The hours are usually shown in Roman numerals, although in the late 19th and earlt 20th century, Arabic numerals became fashionable.
- Spandrel - An architectural term that in horology refers to the triangular ornamental decoration in the corners of of the dial plate. The spandrels are usually of cast brass and may be additonally chased and engraved. On painted dial clocks the spandrels are also usually painted.
- Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
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