A rare mock-pendulum silver-cased pocket watch, maker Joseph…
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A rare mock-pendulum silver-cased pocket watch, maker Joseph Antram English circa 1710 4.8 cm diameter, 5.8 cm case diameter, 6.2 cm hight of case. A rare mock-pendulum silver-cased pocket watch, maker Joseph Antram. English Circa 1710. Single silver cased watch, open face. Square hinge to bezel, short pendant, round loose bow. Consular case plain, not hallmarked. Silver champleve dial which does not fill the whole of the top-plate, the bottom part of the. dial has a cut-away half-moon aperture through which a mock pendulum appears. Beside it is. a three-quarter moon aperture exposing the key-operated regulator dial. Raised Roman hour. numerals, outer Arabic minute numerals, the centre with a. symmetrical foliate design. Signed below the mock pendulum "Antram London". Blued steel. beetle and poker hands. The case opens at 3 o'clock, and the bezel holding a domed glass is hinged at 12 o'clock; the. movement is also hinged at 12 o'clock allowing it to swing out of the case. The back of the. movement is in fact the top plate, the movement being reversed so that the balance wheel, which forms the mock pendulum, can be seen through the dial. Winding spindle protrudes. through the top plate which is covered by a thin brass cover with concentric circles. fusee drive, verge escapement. Egyptian pillars, ornate fusee stop. Circular rim enclosing the. backplate decorated with a repeating foliate pattern. Reference: Britten says Antram was apprenticed to Charles Gretton on 17th January 1697, free of the Clockmakers Company on 7th October 1706, worked until 1720 and died in 1723. He was. watch and clock maker to King George I, there is a record of a long case clock ca 1700 and a. watch ca 1720. There is a pair-case striking watch in the Frankel Collection and a gold. repousse in the Arts Museum, Prague, by Antram. An astronomical watch by this maker sold Christies Geneva 20?12 MAY 2003 lot 4 for 11,500 CHF ( approx AUD$20,000). Provenance: Purchased by Norman Dean from Lawrence Gould, London, in December 1972 for 500 British pounds. Adjusted and cleaned by Camerer Cuss and co., London. 1st December 1975, at a cost of 29. British pounds. Dimensions: 4.8 cm diameter, 5.8 cm case diameter, 6.2 cm hight of case.

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  • Pendulum - The pendulum was discovered around 1602 by Galileo Galilei, and was adopted for time keeping by the Dutch mathematician and natural philosopher, Christiaan Huygens, who excelled in astronomy, physics, and horology.

    The pendulum comprises a metal rod usually of brass or steel with a metal disk, known as a bob, at the end. The movement of the pendulum is driven by weights or a spring, and as a pendulum swings in a regular arc, it was found accuracy could be controlled to within a few seconds a week.

    Timekeeping can be adjusted by changing the height of the bob on the rod, making the pendulum either swing slower or faster.

    The disadvantage of the pendulum was that changes in temperature also changed the length of the pendulum, interfering with the accuracy of the clock, and so in the 18th century two types of mercurial pendulums were invented which countered the movement in the steel rod.

    The pendulum was the world's most accurate timekeeping technology until the invention of the quartz clock, regulated by a quartz crystal, in 1927.
  • Verge Escapement - A verge escapement is an early mechanical escapement used in clocks and other timekeeping devices. It is an early form of the escapement mechanism, which is used to regulate the movement of the hands of a clock or watch. The verge escapement consists of a vertical shaft called the verge, which is mounted on the clock's main plate. Attached to the verge are two pallets, which engage with the teeth of the escape wheel. As the escape wheel turns, the pallets alternately lock and release it, allowing the movement of the clock to be regulated. The verge escapement was widely used in early mechanical clocks, but it was eventually replaced by the more accurate and reliable anchor escapement.
  • Moon Dial - If we imagine life in the 17th century, the only source of ascertaining the time of day or night would have been the local church or municipal clock striking every quarter hour, and able to be heard by all in the village. In England, when longcase clocks became popular and more affordable in the late 17th century, the function of timekeeping and source of time was moved to within the home.

    An additional feature on some longcase clocks was to display the phases of the moon, that is the new moon, the full moon and the waning moon over the lunar 29 ½ day cycle. This information was important for farmers for working out cropping schedules; for travellers to know the amount of moonlight on a night they planned to travel; and for those who lived near the sea required knowledge of the tides.

    Where included, the moon dial is usually in the form of a disc incorporated into the main dial plate, usually in the arched top section. The lunar cycle starts with the new moon displaying, which is a dark night sky and no man-in-the-moon face being displayed, and then progresses to the full moon face showing on the 15th day of the lunar cycle, and back to no face displaying as the moon wanes. Most lunar dials are partially concealed on each side of their opening in the main dial plate by semi-circular "humps" that allow the painted face to emerge slowly just as the real moon goes out of and back into the earth's shadow.

    Nowadays, details of the lunar cycle is published in diaries, almanacs, and newspapers and although some modern longcase clocks are still manufactured with working moon dials, they are more for decoration than for use.
  • Bezel - On a clock or watch, the bezel is the metal frame into which the watch or clock glass is fitted. In clocks, the bezel may include a hinge and a flange, in effect a door to the face of the clock. In jewellery the bezel is a band of metal with a projecting lip that holds the gemstone in its setting.
  • Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.

    As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.

    Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.

    The fusee continued to be used in marine chronometers until the 1970s.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
  • Date Aperture - A date aperture is a cut out section in the face of a watch or clock, displaying the day of the month.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.

    On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.

    The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.

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