A rare silver pair-cased pocket watch, maker Richard Camden…
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A rare silver pair-cased pocket watch, maker Richard Camden English circa 1720 5 cm diameter, 6 cm high, 6 cm case diameter. A rare silver pair-cased pocket watch, maker Richard Camden. English Circa 1720. silver pair-cased watch, inner case plain and bears the case-maker's mark "HG", possibly for. Henry Greene. Outer case plain and similarly marked. Short silver pendant and loose ring bow. Silver champleve dial with black enamel Roman hour numerals and black enamel Arabic. minute numerals. Signed "Camden" in a cartouche above the centre of the dial and "London" in a cartouche below. Blued steel beetle and poker hands. The movement has a verge escapement with fusee and chain drive. It has very fine pillars. with scroll work above and applied silver mounts below with a gargoyle face and a scroll on each side. The fusee stop is unusual and appears to be in the form of joined letters surmounted by a crown, all upside down. Finely pierced and engraved silver, winged balance cock, the table centred with a rosette, leafy scrollwork surrounded by an engraved border. The foot of the cock, also silver, is pierced and engraved with leafy scrolls. A gilded serpent points to the numbers on the regulator dial which is also silver. Signed on the back plate Ric Camden, London". Reference: Britten lists Richard Camden as being apprenticed to his father William Camden in 1709 and immediately after that lists "splendid long case clock, excellent timekeeper; repeating watch, pierced cases; watch, handsome chased silver dial, silver balance cock, very fine movement. silver case, reputed belonged Charles XII of Sweden". Provenance: Purchased by Norman Dean from Lawrence Gould in December 1972 for 400 pounds. Restored by Camerer Cuss & Co London 1/12/1975 for 46 pounds. Dimensions: 5 cm diameter, 6 cm high, 6 cm case diameter

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Fusee - The fusee movement was used in clocks and pocket watches from the mid 17th century. The fusee is a cone shaped drum within the works that is linked to the barrel of the spring, usually by a length of chain.

    As the mainspring loses its tension over time, the cone shaped barrel compensates for this by increasing the tension, by pulling the mainspring tighter, thus ensuring the time remains constant.

    Use of the fusee in clocks was superseded by the "going barrel" in the mid 19th century and for pocket watches at the beginning of the 19th century.

    The fusee continued to be used in marine chronometers until the 1970s.
  • Pair Cased - A pair cased watch is one with a double case. The movement is encased, and for additional protection this is fitted into an outer case.
  • Rosette - A stylised circular-shaped disk with turned or carved decoration decoration applied to a surface, or carved into the surface, especially used in ceramics, jewellery, furniture, sculpture and textiles. Also known as a boss or a paterae or patera.
  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Verge Escapement - A verge escapement is an early mechanical escapement used in clocks and other timekeeping devices. It is an early form of the escapement mechanism, which is used to regulate the movement of the hands of a clock or watch. The verge escapement consists of a vertical shaft called the verge, which is mounted on the clock's main plate. Attached to the verge are two pallets, which engage with the teeth of the escape wheel. As the escape wheel turns, the pallets alternately lock and release it, allowing the movement of the clock to be regulated. The verge escapement was widely used in early mechanical clocks, but it was eventually replaced by the more accurate and reliable anchor escapement.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.

    On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.

    The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.

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