A French early 19th century walnut table ambulante or…
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A French early 19th century walnut table ambulante or chiffonier, the Gris de Sainte Anne marble top above a tambour sliding door, on baluster turned legs, joined by a lower shelf, on tapering turned feet, 45 cm wide, 30 cm deep, 72 cm high .

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  • Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
  • Turned Legs - are legs which have been turned on a lathe. In use from the 16th century, turned legs on tables, chairs and cabinets became more frequent until, by the 1830s, the Georgian square or tapered leg was rarely found except in country pieces.
  • Tambour - A form of folding shutter formed by narrow widths of wood with the flat side glued to canvas, and used on some writing desks, sideboards and other cabinets.

    The tambours may run vertically and enclose some stationery compartments, such as in a lady's writing desk. Or the tambours may run horizontally, such as in a Cutler desk, and form an enclosure for the whole of the writing surface.
  • Baluster (furniture) - An architectural term for a column in a balustrade or staircase, often defined as a "vase shape". The shape is extensively used in furniture and decorative arts.

    In furniture, it is used to describe a chair or table leg turned in that form, or more usually as an inverted baluster, with the bulbous section to the top. Less commonly used to describe a chair back that has the outline of a baluster. A baluster may also be split and applied to the front of a cupboard for ornamentation.

    For ceramics and silver items it is often used to describe the shape of the whole item, rather than a part.

    In Georgian glassware, the shape is commonly seen in the stem of glasses.

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